HomeWWEEric Bischoff Tackles AEW's Talent Turnover and Future Prospects

Eric Bischoff Tackles AEW’s Talent Turnover and Future Prospects

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Assessing AEW’s Challenges Amidst Key Departures


Summary

– Eric Bischoff discusses the significant talent exodus from AEW, focusing on the departure of foundational members.

– The conversation highlights the difficulty in replacing key roles, emphasizing the importance of industry relationships.

– Bischoff speculates on AEW’s future, considering the evolving television landscape and its potential impact on the promotion.

Eric Bischoff recently delved into the mass exodus of talent from AEW on “83 Weeks.” The discussion centered around the departure of several foundational members, including Keith Mitchell, Kevin Sullivan, and QT Marshall. This situation has highlighted AEW’s challenges in filling these critical roles, especially in areas like booking venues and nurturing essential industry relationships.

Bischoff underscored the importance of these roles and the daunting task of finding suitable replacements. He pointed out the potential need for AEW to bring in individuals from outside the wrestling industry, which could introduce additional challenges in terms of aligning them with AEW’s product and culture.

The conversation also explored the broader implications of these departures for AEW’s future. Bischoff speculated on the potential impact of changes in the television landscape, particularly with the merger of Paramount and Warner Bros. Discovery. He expressed concerns about AEW’s television prospects if they lose their current platform, suggesting that it could lead to a struggle for visibility in an increasingly consolidated media environment.

This insightful discussion by Bischoff sheds light on the complexities and uncertainties facing AEW as it navigates a period of significant change. The departure of key personnel and the evolving television landscape pose challenges that could shape the future of AEW and its position in the world of professional wrestling.

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